LIB_Submenu_Paint
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Melly
Trochez
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Upcoming Exhibition
September 2008
Johnnie L. Cochran Jr. Middle School Project: Raul Paulino Baltazar in Collaboration with Melly Trochez
Johnnie L. Cochran Jr. Middle School is pleased to announce a major campus aesthetic renovation completed this summer by LA based artists Raul Paulino Baltazar and Melly Trochez. This eight month effort to rehabilitate the school campus was launched as a response to the heavy graffiti and vandalism throughout the school. Initially the artists began to paint over some of these hot spots for graffiti with a predetermined design only to see an immediate backlash by tagging crews. The artists changed their approach by interviewing students, teachers and staff about what they thought best to be incorporated onto these walls, which resulted in the production of a series of murals representing concepts and ideas gathered from our diverse community. The Johnnie L. Cochran Jr. Middle School Project is a visual survey of contemporary aesthetics, ancient symbols and mythologies exploring Chinese, Egyptian, Tibetan, Mexican, Mayan, Ndebele, Chumash and Tonga cultures to urban and hip hop culture.
Melly Trochez is an artist involved with painting and assemblage searching for pop culture and its intersection with kitsch. She underscores the psychological and healing properties of art for insights and tranformations in personal experience. Although her paintings are often biographical, they underline a serch for subjective truth. Melly has studied art history at the Sorbonne University in Paris, France and graduated from the Fine Arts program at the University of Fullerton. She has collaborated with graffiti artists, printmakers and has painted murals throughout California. Melly is much concerned with art education and teaching art to children with both typical development and special needs. She is currently working on a body of work for a solo show next year and has enrolled in a graduate program for art therapy in the fall 2009. Melly Trochez was born in Los Angeles in 1978.
Click
here to view Melly's recent article on La Opinion
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Beautiful Sadness
(July 15 - August 15, 2007)
The Passionate Child
2007
Acrylic on canvas
36” x 48”
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Two Females Mourn
2006
Acrylic on canvas
60.5” x 72.5”
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Why?
2007
Acylic on canvas
60” x 72”
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Guardian Angel
2004
Acrylic, mixed media on wood panel
59” x 48”
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I Will Protect You
2006
Acrylic on wood panel
36” x 84” |
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In My Sleep
2006
Acrylic, mixed media on wood panel
36” x 24.5” |
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Peace Offering
2006
Acrylic on wood panel
36” x 48”
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If The Heart Could Speak
2004
Acrylic, mixed media on canvas
63” x 47”
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Holy Matters
2006
Acrylic, mixed media on wood panel
60” x 48”
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Hot Organs
2007
Acrylic on canvas
72” x 60”
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Passion
2007
Acrylic on canvas
48” x 45”
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Wash Your Hands
2007
19” x 16”
Acrylic on wood panel
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Deep In A Corner
2007
Acrylic on wood panel
36” x 48”
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I
was born 1978, in Los Angeles California. My family emigrated
here from Honduras, like most families seeking a better
life. As a child I often felt lonely and haunted. I was
very shy and suffered from paranoia. I would feel like
someone was always watching or following me. I would scream
at my own shadow. When I was in high school I felt detached
and lacked interest in my peers. I wanted something to
relate to which I soon found in my art class so I quickly
picked up the basic skills and became an art student. I
was asked to participate in several art awareness projects
for the city of San Gabriel and graduated with a scholarship
from Bank of America for the arts. After high school I
went to Rio Hondo College in Whittier, CA. My desire to
create and pursue a career in art not only became my mission
in life but a necessity. After two years there I got my
Associates in the Arts degree, and decided to study art
abroad. I moved to Paris and attended the Sorbonne. I then
returned home and enrolled in the fine arts program at
the University of Fullerton. In 2004 I graduated. I had
my first invitation to show at an established gallery in
2004, and after that I’ve been asked to exhibit in
over 25 group shows since 1998. Since graduation I’ve
run a gallery on Gallery Row in downtown Los Angeles, curated
shows, including an upcoming exhibition in Tijuana, Mexico,
worked on entertainment productions, designed clothing
and accessories, interned at a fine arts print studio,
painted murals throughout California, contributed to help
fund a school for the arts in Honduras, collaborated with
legendary graffiti artists and taught art to children with
special needs. This is my first solo exhibition.
Melly Trochez
Some
people might misinterpret the act of painting oneself
as an act
of shallowness, self-
absorption or even an act that limits the artist from
being a social commentator. In Melissa Trochez’ case,
it is quite the opposite. Her unique ability to explore
the
vulnerable
depths of her emotions while engaging in intimate dialogue
with her audience ultimately concludes with a hopeful
optimism. One way to experience her work is to see it as
a series
that captures difficult, incomprehensible life events.
Eventually,
her works evolve from self-consciousness to hope and
social awareness.
This is most evident in her diary series, her
earliest body of work, which documents her growth and development
as
an artist. The unfinished sense one is left with reinforces
the idea that there is beauty in imperfection. This alludes
to the fact that she too is a work in progress. Much like
her eclectic characterizations which are often tainted
with a clash
of vibrant colors, her backgrounds are filled with unfinished
images that mimic the texture of scrapbooks. Some seem
to be cut from the front pages of magazines or handmade
quilts.
This
effect allows you to see the process of making art without
its pretentious makeup.
Her angel series, which is the
most disturbing yet hopeful series, brings the viewer into
an
abstract reality which is contradicting in nature. These
paradoxical
depictions cast shadows of hope through her beautiful sadness.
Innocently knowledgeable of questions instinctual to the
soul she engages in conversations with angels regarding
her protection,
hope, and survival. These romantic pieces are infused by
Catholic-pagan rituals, stoicism, and ominous imagery which
serve to comment
on the disappointments of religion.
Her flat series, like her diary series, represent her
transcendence from self-preoccupation to social- consciousness.
Here,
the audience is taken beyond her emotional dialogue
and is lead to a world of epiphanies and moral awakening. Within this animated,
primary coated series, the illusion of stagnancy is created through the
juxtaposition of comfortable hermits with distressed
characters in the background. These
conflicts foreshadow the immorality and guilt subtly
associated with materialism. Ultimately,
the three series of works leave you with a hopeful feeling that progress
can be achieved even when a person’s emotional
stability is questionable. Courageously, she provides
her audience
with something to believe in especially
for those who
have felt that everything has let them down.
By
Hugo Velazquez
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To purchase
Frank Pictures Gallery publication's of Melissa Trochez's
Beautiful Sadness, contact us or
click here
to order online.
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